剧情介绍
康(kāng )沃尔(ěr )渔(🆓)村的风(fēng )景明信片田园诗误导(🃏)了人们(men )。虽(🛍)然过(guò )去(qù )钓(diào )(🤴)鱼是一(🔧)种(🎗)养(yǎng )家糊(🥈)口的方式，但如今富有的(de )伦(lún )(🎾)敦游客纷(⏬)纷下山，取代了当地(🚤)人，当(dāng )地人(rén )的(de )生(shēng )计因(🗄)此受到威胁。史蒂文(wén )和(hé )马丁兄弟的关系(🛺)也很紧张。马丁是(✖)一(🙁)个没有船的渔夫，因(😱)为史(🤷)蒂文开始用(🌙)它来为(wéi )(🚣)一整天的(de )游客提(tí )供更赚(zuàn )钱的旅游。他们卖掉了(💻)这座(zuò )家庭(🔝)别墅(shù )，现(🙌)在看来，最(zuì )(㊙)后(hòu )一(yī )场战斗(dòu )是和新主(zhǔ )人在海(hǎi )(🤷)边的(🧤)停车(🚻)位上(shàng )展(zhǎn )开。然而(ér )，情况(kuàng )很快(🕐)就失(shī )控了，而不仅仅是因(🤘)为车轮夹钳。Bait是(💍)一种(🐾)黑(hēi )白(😊)，手工制作(🌹)，16毫(🥋)米胶(🃏)片制作(zuò )的(de )电影。许多关于(yú )鱼(🙎)、网、龙虾(🤔)、长靴、绳结(jié )和渔篮的特(tè )写(🔷)镜头让人想起了蒙太(tài )奇(🚲)景点(diǎn )的(🌂)理论。对(duì )(🐖)不同(tóng )社会阶层的描述(⏳)——可以说是阶级关系(xì )——也(yě )让(🔪)人想(xiǎng )起了英国电影中的(📬)社会现实(🎴)主(😉)义(🚤)传(chuán )统。然而，最重要的(🔮)是，在(zài )影像(xiàng )中不同层次的(de )电影历史参考文献之下(xià )，当前许(xǔ )多政治关(🚓)联正在等待被发现(🗒)。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.